主流電影的非主流敘事策略：「商業」與「藝術」對話的李安電影
Non-mainstream Narrative Strategies in Mainstream Films:Dialogue between "Commerce" and "Art" in Ang Lee ’s Film Works

葉基固

本研究旨在探索李安成功\地為華語電影展示了一個擺\脫文化地域性的限制，開創出個人且具獨特的「作者論」、「美學觀」與「商業性」的全球化視野，示範了東西方文化跨界的可能性；並為華語電影的創作脈絡提供一個商業化與藝術化融合的方向，具有解決現實問題與分析現況方向的意義。藉由李安電影的研究讓華語電影的未來發展，導向兼具商業化與藝術化的目標邁進，促使新的華語電影作品更加接近自身文化的現實性，造尌更具國際化視野的敘事架構，並站在第一線為自己的文化天空掌控發言權。

This study aims to explore Ang Lee ’s successful transcendence of the regional and cultural bounds in Chinese-language films by having established a unique global view in auteur theory, aesthetics, and commerciality, demonstrating a possibility in crossing the borders between Eastern and Western cultures. At the same time, he points to the fusion between commercialization and artistry in the creative nexus in Chinese film, to which he signifies a clear analysis and solution in current trends and problems. It is hoped that this study on Ang Lee ’s films could further develop the goal of uniting
commerciality and artistry in future Chinese films, by adhering closer to the reality of one ’s own culture, creating a narrative structure with a more internationalized view, and speaking prominently under the sky of culture to which one belongs to.

文本、李安、敘事、傳統文化、對話

Text, Ang Lee, narrative, traditional culture, dialogue

2011-07-05

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主流電影的非主流敘事策略：「商業」與「藝術」對話的李安電影.pdf