2006年年會論文 -紀錄片作為社會運動的載具:《貢寮,你好嗎?》的書寫策略
篇名
紀錄片作為社會運動的載具:《貢寮,你好嗎?》的書寫策略
Documentaries as a vehicle for social movements: The writing strategies of How are you doing, Gongliao?
作者
王玉燕
中文摘要
紀錄片近年來在台灣蔚為風潮,其創作素材往往取自於現實社會,反映了人民真實的聲音。本研究旨在探討紀錄片是否得以作為社會運動的載具,教育社會大眾、喚醒意識、進而引發共識動員。本研究以《貢寮,你好嗎?》為例,分析紀錄片如何形塑核四議題的敘事框架。除此,亦將藉由焦點團體訪談探究《貢寮,你好嗎?》之框架是否會影響閱\聽眾的核四立場。本研究發現:以「在地聲音」、「社會不公義」為書寫策略的紀錄片,促使閱\聽眾觀看過後,願意採取具體行動協助推廣非核家園的理念。
英文摘要
Documentaries have been popular in Taiwan recently. With events from the real world as their materials, documentaries are able to speak for people. This study discusses how documentaries serve as a vehicle for social movements and how they can educate the public; how they arouse the consciousness; how documentaries can evoke consensus mobilization. This study has the documentary How are you doing, Gongliao? as an example to discuss how the documentary forms its storytelling frame and retell the Nuclear Power Plant#4 case. Besides, there is also discussion, based on focus groups, and see if the frame can change the positions the audience take towards the issue. The study shows at the end that documentaries with “local voices” and “social injustice” as the writing strategies, helping to enhance the audience’s willingness to stand up for a no nuclear homeland and to carry out the ideas with actions.
中文關鍵詞
社會運動,紀錄片,框架理論,書寫策略
英文關鍵詞
social movement, documentary, frame theory, writing strategy
發表日期
2006.07.12
授權狀況
已授權
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