2001年年會論文 -影像現實:媒介時代的情境喜劇
篇名
影像現實:媒介時代的情境喜劇
作者
張建珍
中文摘要
本文的研究物件是媒介時代的情境喜劇,情境喜劇是以電視媒介為中心的後現代時期的特徵性產品,是由影像、現實、意識形態三位一體構成的影像現實。本文將通過對情境喜劇的類型特徵,尤其是其固定模式的分析,從喜劇性、間離效果、家庭的擴延性三個方面來考察情境喜劇作為類型的文化意義和認識價值。同時分析情境喜劇作為“外指性本文”即“整個文化的副本文”與當前中國文化現實的衍生關係,並由此透視情境喜劇與大眾日常生活的相關性。
英文摘要
This article will discuss the questions about situation comedy in media age. Surviving as a kind of extension power, situation comedy is a characteristic production, which takes the video media as central in post-modernism period. Constructing by image, reality and ideology, the image-reality of Trinity built the existent mode, shapes and changes the mass and their daily life.Through the analysis to typical characters especially securing pattern of situation comedy, the view of cultural significance and cognition value to situation comedy as a kind of cultural type will expand in three ways, comedic, family-ductility, and V-effect. At the same time, the other analysis that the derivative relationship between situation comedy and contemporary Chinese cultural realities will be discussed by implying the theory of Public Sphere in it. As a ’outer point text ’ namely ’subsidiary text of wholly culture ’, situation comedy associates with mass ’ daily existence by correlation.
中文關鍵詞
間離效果,家庭擴延性,情境喜劇,喜劇性
英文關鍵詞
V-effect,Family-ductility,comedic,situation comedy
發表日期
2001.07.05
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