2007年年會論文 -惆悵!抒情中國:我的大陸旅遊與中國想像
篇名
惆悵!抒情中國:我的大陸旅遊與中國想像
作者
陳威良
中文摘要
中國大陸與台灣是兩種不同的政治體制,卻在文化、血統、語言上有許\多相似之處。除了文化、血統、語言的影響,更有許\多因素建構台灣人民對於中國的想像。媒體透過各種小說、報導…建構台灣民眾對於大陸的想像。透過各種團體,也影響了我們對於中國大陸的認同。台灣民眾在全球化的離散狀況下,家人前往大陸工作、居住的比率越來越高,這樣的現象不但影響了台灣對於大陸的認同,而且「家」的概念也在全球化的脈絡下變得流動、不再固定。隨著兩岸之間的解禁,台灣民眾越來越有機會接觸自己想像中的中國大陸,並透過旅遊來建構對於中國大陸與自我的認同。親身前往大陸觀光,體驗中國大陸,成為一種幫助彼此
溝通瞭解與建構認同的管道。

大陸的旅遊景點,充滿了各式的懷舊消費,同時被全球資本主義浸入,全球商品與現代建築進入中國文化古蹟,成為一種虛無全球化下的消費,「惆悵」成為一種特殊的全球化情感結構。
英文摘要
Mainland China and Taiwan are two different kinds of political constitution, but they are similar in culture, ancestry and language. Besides the impact of culture, ancestry and language, there are more factors that construct the imagination of Taiwanese to Mainland China. Through all kinds of groups, they also influence our identity to Mainland China. In this diaspora of globalization situation, their familys go to Mainland China and work, and the ratio of residence becomes higher and higher.
This phenomenon not only impacts on the identity of Taiwanese to Mainland China, but also the concept of "home" becomes flowing and floating in the global context.

By the decriminalizing between Mainland China and Taiwan, Taiwanese have more chances to contact their imaginary Mainland China, and construct the identity to Mainland China and themselves by traveling. It has been a way to help understand each other and construct identity by visiting and experimenting Mainland China.

The historical scenes of Mainland China are full of retrospective consumption, and they are immersed by global capitalism at the same time. Global commodities and modern building immerse in China cultural antiquities, and it becomes a kind of consumption of globalization of nothing,
"melancholy" has become a unique affection structure of globalization.
中文關鍵詞
中國想像,自我認同,虛無的全球化,懷舊消費
英文關鍵詞
China Imagination,Self Identity,Globalization of Nothing,retrospective consumption
發表日期
2007.07.05
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