2007年年會論文 -流行音樂作為一種社會反叛:以敘事觀點分析張雨生歌詞創作
篇名
流行音樂作為一種社會反叛:以敘事觀點分析張雨生歌詞創作
Popular Music as Social Rebellion: Analysis of Yu-Sheng Chang ’s Lyrics on Narrative Perspective
作者
殷美香
中文摘要
本研究探討流行音樂是否可作為社會反叛的力量,以語藝批評方法中的敘事批評分析張雨生的歌詞創作,試圖解答張雨生的流行音樂創作是否達成社會反叛的目的與力量。本文挑選張雨生早期創作,自熱門音樂大賽合輯【青春像把槍】、第二張個人專輯【想念我】、第一張個人創作專輯【帶我去月球】以及第二張創作專輯【卡拉OK.LIVE.台北.我】等選取具場景、人物與情節等要素的創作歌曲,以及張雨生書寫個人創作想法的專輯文案,共十三首歌曲與兩篇文章做為分析文本。研究步驟採取Foss 所建議的三個程序,檢視文本構成敘事實質內容與表達形式的八大要素,爾後找出其中最重要的相關敘事要素加以分析討論,最後則是依據研究問題進行敘事評估。

研究結果顯示,張雨生的創作突顯敘事主題與敘事者,敘事主題部分可區分為:(一)喧鬧紛雜的紅塵俗世vs.超脫現實的美麗烏托邦、(二)人類進步文明vs.文明的罪與罰以及(三)懷抱希望,相信自己,追尋與超越;敘事者部份則認為張雨生作為主動的敘事者,有深入的情感涉入。而敘事評估部分,敘事可能性分為:(一)達到「社會反叛」的可能性、(二)建造「理想國/烏托邦」的可能性加以探討;敘事忠實性則分為(一)浪漫主義的價值觀點、(二)關懷無聲的角色人物加以討論。綜上所述得知張雨生的流行創作音樂透過說故事的方式,彰顯了社會反叛的力量,然而其歌詞意境飄邈、書寫文字較為艱澀,不易普及,亦削減了其創作的說服力量。
英文摘要
This study is to discuss whether popular music is regarded as a kind of social rebellion and apply narrative perspective in rhetoric field to analyze Yu-Sheng Chang ’s lyrics.The article chooses songs of Yu-Sheng Chang ’s albums, "Youth is like a Gun"、"Miss Me"、"Take Me to the Moon"、"Karaoke.LIVE.Taipei.I", in which have reasons of setting、character and plot.There are 13 songs. Besides, researcher also chooses two Yu-Sheng Chang’sarticles which explain his thought about creations.The research process is according to Foss: first, to check 8 narrative essences in texts.; second, find out and discuss the most important narrative essence; finally, to proceed narrative rationality according to the reserch question.

The results show that Yu-Sheng Chang ’s creations stress narrative theme and narrator. In the part of narrative theme, there are 3 topics: (1)noisy mundaneness vs. ideal Utopia (2)human advanced civilization vs. civilized crime and guilt (3)hope、self-confidence、aspiration and to surpass. And, in the portion of narrator, the research thinks that Yu-Sheng Chang is the active narrator and involved in. On narrative rationality, the narrative probability is divided into 2 parts: (1)the probability to reach
social rebellion (2) the probability to create Utopia; the narrative fidelity is divided into 2 parts: (1) the values of Romanticism (2) to concern about a disadvantaged minority. In conclusion, Yu-Sheng Chang ’s popular music creations own the power of social rebellion through story-telling. However, his lyrics are difficult to understand to such extent that many people cannot be persuaded.
中文關鍵詞
流行音樂,語藝批評,敘事分析
英文關鍵詞
popular music,rhetoric criticism,narrative analysis
發表日期
2007.07.06
授權狀況
已授權