2018年年會論文 | 返回論文列表 |
篇名 鬼片為何恐怖? 姚鳳磐恐怖電影之接受分析研究
Why Ghost Movie Is Scary? Reception Analysis of Yao Feng-Pan's Horror Films
作者 吳奕均
中文摘要

 恐怖片向來都被一群死忠觀眾所支持,根據佛洛伊德理論,銀幕上的畫面是 人

類無意識的外射,反映出心中的閹割焦慮及死亡恐懼。 佛洛伊德(1919/1955)指
出,人們內心壓抑了閹割焦慮及死亡恐懼,閹割焦慮會以斷頭或肢解呈現;而似人
而非人的鬼魂,則能喚起最劇烈的死亡恐懼。日本機器人學家森政弘(1970)提出
一項「恐怖谷」(uncanny valley)理論,主 張屍體、或斷手殘肢)等令人感到恐怖,
是因它模糊了人類與非人類的界線。當 人體一旦發生「變異」(defamiliarization),
其「相似度」與「親和感」的相關性,就在曲線圖上形成一道「恐怖谷」。 台灣「鬼
片之王」姚鳳磐導演,其恐怖電影中出現許多「人體變異」畫面,本研究取徑「恐
怖谷」理論,並採取量化方法,探討姚氏鬼片帶給觀眾恐怖感的原因。
英文摘要

 Horror films have always been supported by a group of loyal audiences. According

to the Freud's theory, the ghosts on the screen is an unconscious projection, which
reflects the castration anxiety and fear of death. Freud (1919/1955) points out
that people depress the castration anxiety and the fear of death in their hearts.
The castration anxiety is presented as broken ends or dismemberment. And the
ghosts can arouse the most intense fear of death. Japanese roboticist Morihiro Mori
(1970) put forward a "uncanny valley" theory, claiming that the body, or broken
hand, is terrifying because it blurs the boundary between man and non-human.
When the human body "defamiliarization", the relationship of "human likeness"
and "affinity", to create a "uncanny valley" on the graph. Director Yao Feng-pan of
Taiwan's "King of Ghost Film" has many images of "human defamiliarization " in
his horror films. This study takes the theory of "Horror Valley" and quantitative
approach to explore the causes of the horror brought by Yao's horror movies.
中文關鍵詞 姚鳳磐、恐怖片、uncanny、恐怖谷
英文關鍵詞 Yao Feng-Pan, horror film, uncanny, uncanny valley
發表日期 2018/07/02
授權狀況 已授權
全文下載 鬼片為何恐怖? 姚鳳磐恐怖電影之接受分析研究